The flow of performances by Lockwood in the 1940s meanwhile amount to a consistent grappling and overcoming of victimhood. In 1955, she gave one of her best performances, as a blowsy ex-barmaid in "Cast a Dark Shadow", opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. A first-time star, she gave an intelligent, convincing performance as the curious girl who confronts an elderly lady (May Whitty) who seems to vanish into thin air on a train journey. Ifyou just so happen to wake up one morning and find a brand new beauty mark staring back at you in the mirror, take note. In the postwar years, Lockwoods popularity fell out of favor. Stone appeared with her in her award winning 1970s television series, Justice, in which she played a woman barrister, but after 17 years together, he left her to marry a theatre wardrobe mistress. She returned with relief to Britain to star in two of Carol Reeds best films, The Stars Look Down, again with Redgrave, and Night Train to Munich, opposite Rex Harrison. "[8] Gaumont increased her contract from three years to six.[10]. Organize, control, distribute and measure all of your digital content. A rather controversial biographer once . In July 1946, Lockwood signed a six-year contract with Rank to make two movies a year. Lockwood attended drama school from the age of five and following her parents divorce was just 12 when cast as the star of Heidi for a 1953 childrens TV serial. Kate Upton and Blake Lively have certainly helped the spot stay en vogue today. Margaret Lockwood was a famous British actress and the leading lady of the late 1940s. In the 1960s and 70s she appeared on British television, including a 1965 series The Flying Swan with her daughter Julia. Ive been pretty lonely at times.. In 1969 she starred as barrister Julia Stanford in the TV play Justice is a Woman. She had one last film role, as the stepmother with the sobriquet, wicked, omitted but implied, in Bryan Forbess Cinderella musical The Slipper and the Rose in 1976. As a result, Margaret took refuge in a world of make-believe and dreamed of becoming a great star of musical comedy. Innogen from the play "Cymbeline" proves this to be true as she just so happened to have a facial mole, or, beauty mark. That was natural." Lockwood never remarried, declaring: I would never stick my head into that noose again, but she lived for many years with the actor, John Stone, whom she met when they appeared together in the 1959 stage comedy, And Suddenly Its Spring. Had Lockwoods Darjeeling-born brunette rivalVivien Leigh, a voracious careerist, focused less on theatre which allowed her five 1940s films only, compared with Lockwoods 19 (and a TV Pygmalion) she would have likely eaten into Lockwoods CV. She was a warden in The White Unicorn (1947), a melodrama from the team of Harold Huth and John Corfield. Among her best performances was that in 1938, when Alfred Hitchcock cast her in The Lady Vanishes (1938), opposite Michael Redgrave, then a relative newcomer to Hollywood. They were going to look after me as no one else had done before. The third actress daughter of the Raj - following Merle Oberon and Vivien Leigh - she was born on 15th September, 1916. This was even more daring in its depiction of immorality, and the controversy surrounding the film did no harm at the box office. [28] It was the last of "official" Gainsborough melodramas the studio had come under the control of J. Arthur Rank who disliked the genre. One of those famous faces was Marilyn Monroe. Duration is 1 hr., 53 min. Her other small-screen roles included the bargees daughter Julia Dean in the sitcom Dont Tell Father (1959), Martha Barlow in the suspense serial The Six Proud Walkers (1962), the marriage-breaking secretary Anthea Keane in the magazine soap Compact during 1963, and Samantha in the TV sitcom version of Birds on the Wing (1971), alongside Richard Briers, with whom she starred in the radio comedy Brothers in Law (1971-72). [40][41] It was not popular. It is not too much to expect that, in Margaret Lockwood, the British picture industry has a possibility of developing a star of hitherto un-anticipated possibilities. Lockwood was reunited with James Mason in A Place of One's Own (1945), playing a housekeeper possessed by the spirit of a dead girl, but the film was not a success. Streamline your workflow with our best-in-class digital asset management system. She taught at her old drama school in the early 1990s and, after the death of her husband in 1994, retired to Spain. Hear, hear! I like consistency when it comes to getting my hair done. I'll Be Your Sweetheart (1945) was a musical with Guest and Vic Oliver. She was 73 years old. The film was a critical and box-office disappointment. After what she regarded as her mother's painful betrayal at the custody hearing, the two women never met again, and when a friend complimented Mrs Lockwood on her daughter's performance in "The Wicked Lady", she snapped: "That wasn't acting. She began studying for the stage at an early age at the Italia Conti Academy of Theatre Arts, and made her debut in 1928, at the age of 12, at the Holborn Empire where she played a fairy in A Midsummer Night's Dream. "[50], As her popularity waned in the post war years, she returned to occasional performances on the West End stage and appeared on television; her television debut was in 1948 when she played Eliza Doolittle.[51]. In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. Under Queen Victoria's reign,beauty standards left little room for anything but smooth, white skin. Karachi-born Margaret Lockwood, daughter of a British colonial railway He hopes one day "moles and other individual qualities" will be embraced. It was one of a series of films made by Gaumont aimed at the US market. The Leons separated soon after her birth and were divorced in 1950. When the author Hilton Tims, was preparing his recent biography, "Once a Wicked Lady", a stall holder from whom he was buying some flowers for her, snatched up a second bunch and said, "Give her these from me. A year later, she played another fairy, for 30 shillings a week, in "Babes in the Wood" at the Scala Theatre. She starred in another series The Flying Swan (1965). She added, "But he obviously also found them sexy. was margaret lockwood's beauty spot real; was margaret lockwood's beauty spot real. [36], Lockwood was in the melodrama Madness of the Heart (1949), but the film was not a particular success. She had one last film role, as the stepmother with the sobriquet, "wicked", omitted but implied, in Bryan Forbes's Cinderella musical, "The Slipper and the Rose" in 1976. The property has now been converted to flats. [24] She was featured alongside Phyllis Calvert, James Mason and Stewart Granger for director Leslie Arliss. She also performed in a pantomime of Cinderella for the Royal Film performance with Jean Simmons; Lockwood called this "the jolliest show in which I have ever taken part. Here you'll find all collections you've created before. I dont believe in raising an only child. Gaumont British were making a film version of the novel Doctor Syn, starring George Arliss and Anna Lee with director Roy William Neill and producer Edward Black. According to the American Academy of Dermatology, there are severalkinds of birthmarks, but each one fits into just two main groups: pigmented and vascular. But, just what is a beauty mark anyway? Edwards, before she visits Skefko, Vauxhall and Electrolux and two cinemas - the Odeon in Dunstable Road and the Palace in Mill Street, whose manager, Mr S. Davey, had arranged the tour. She had a small role in Who's Your Lady Friend? Margaret Mary Day Lockwood, CBE (15 September 1916 15 July 1990), was an English actress. She was born on September 15, 1916. No weekends or evenings required. From her mid-20s Lockwood was seen on the West End stage in Arsenic and Old Lace (Vaudeville theatre, 1966), The Servant of Two Masters (Queens theatre, 1968), Charlie Girl (Adelphi theatre, 1969), Birds on the Wing (Piccadilly theatre, 1969), alongside Bruce Forsyth making his debut as a straight actor, and The Jockey Club Stakes (Vaudeville theatre, 1970). [34] then went off suspension when she made a comedy for Corfield and Huth, Look Before You Love (1948). The immense popularity of womens melodramas produced byGainsborough Picturesmade Lime Grove Studios (which became the companys wartime berth after production at Islington Studios was suspended) stardoms epicentre: it was the workplace ofPhyllis Calvert,Stewart Granger,Jean Kent,Margaret Lockwood,James Mason,Michael RennieandPatriciaRoc. Believing she will die, she gives up her lover Kit (Granger) to an actress, Judy (Roc), who is mounting an outdoor production of The Tempest on a rugged Cornwall coastal spot. Lockwood married Rupert Leon in 1937 (divorced in 1950). Lockwoods lips and upper chin tense Joan Crawford-style when her more heinous characters covers are blown, but not at the cost of audience empathy. She had a bit part in the Drury Lane production of "Cavalcade" in 1932 . had a bit part in the Drury Lane production of "Cavalcade" in 1932, Spectral in black, with her dark, dramatic looks, cold but beautiful eyes, and vividly overpainted thin lips, Lockwood was a queen among villainesses. Who knew the social science behind moles could be so complicated? Miss Lockwood's family would not disclose the . While much of the world in Shakespeare's time was focused on "spotless beauty," the poet and playwright found imperfection to be rather stunning. Size: 46 Pages, Transcript. [2] Lockwood attended Sydenham High School for girls, and a ladies' school in Kensington, London.[1]. She appeared in two comedies for Black: Dear Octopus (1943) with Michael Wilding from a play by Dodie Smith, which Lockwood felt was a backward step[25] and Give Us the Moon (1944), with Vic Oliver directed by Val Guest. It's hard to even imagine Crawford without it. Those with beauty marks in the 1800s would've likely felt anything but beautiful during a time when skin whitening recipes promising to "take away" freckles and moles were abundant. ), British actress noted for her versatility and craftsmanship, who became Britain's most popular leading lady in the late 1940s. Hey Friend, Before You Go.. A visit to Hollywood to appear with Shirley Temple in "Susannah of the Mounties" and with Douglas Fairbanks Jr in "Rulers of the Sea" was not at all to her liking. Julia Lockwood during filming for the BBC science fiction series Out of the Unknown in 1968. Guaranteed competitive hourly wage average wage is $16-$18 an hour, plus an incentive commission and tips! She was meant to make film versions of Rob Roy and The Blue Lagoon[19] but both projects were cancelled with the advent of war. She was borrowed by Paramount for Rulers of the Sea (1939), with Will Fyffe and Douglas Fairbanks Jr.[15] Paramount indicated a desire to use Lockwood in more films[16] but she decided to go home. We provide you with all the necessary resources to help you achieve your income goals! The actor Julia Lockwood, who has died of pneumonia aged 77, began life in the shadow of her famous mother, Margaret Lockwood, who was confirmed as one of Britains biggest box-office stars with her appearance in the 1945 film classic The Wicked Lady, four years after her daughters birth. Shakespearean expert and literary historian Stephen Greenblatt lectured students at the University of Science and Arts of Oklahoma on "Shakespearean Beauty Marks." With the drama picture Bank Holiday, she created a reputation for herself. Enjoying our content? Articles from Britannica Encyclopedias for elementary and high school students. The sexual privation suffered by women whose men were fighting overseas contributed to Lockwood and Mason, the fiery adulterous lovers of the 1943 Gainsborough gothic classicThe Man in Grey, replacingGracie FieldsandGeorge Formbyas the countrys top box office stars that year. Privacy Policy. Format: Originally recorded on 2 sound cassettes.Reformatted in 2010 as 3 digital wav files. Directed by: Leslie Arliss. She wouldn't have been the only one to fake it, though. "Hollywood revolutionised women's faces," Marsh explained, "Suddenly you were seeing these HUGE women's faces, bigger than we had ever seen them before." Karen Hearn, an honorary professor of English at University College London, told BBC, "He found them worrying." Lockwood had a change of pace with the comedy Cardboard Cavalier (1949), with Lockwood playing Nell Gwyn opposite Sid Field. [44], In 1952, Lockwood signed a two picture a year contract with Herbert Wilcox at $112,000 a year, making her the best paid actress in British films. Even still, the trend took off and transformed intodecorative patchesormouches("flies" in French), in which faux moles made of colorful silk, taffeta, and leather were applied to the face. Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. Her final stage appearance, as Queen Alexandra in "Motherdear", ran for only six weeks at the Ambassadors' Theatre in 1980. This article was most recently revised and updated by, https://www.britannica.com/biography/Margaret-Lockwood, Margaret Lockwood - Student Encyclopedia (Ages 11 and up). Her final stage appearance, as Queen Alexandra in Motherdear, ran for only six weeks at the Ambassadors Theatre in 1980. For the remaining years of her life, she was a complete recluse at her home, in Kingston upon Thames, rejecting all invitations and offers of work. Her body was cremated at Putney Vale Crematorium. As stated earlier, Monroe's trademark mole may not have been real. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. Margaret Lockwood was a famous British actress and the leading lady of the late 1940s. InBernard KnowlessThe White Unicorn(1947), she andJoan Greenwoodwere cast as women of different social backgrounds a warden at a home for delinquent girls and a troubled teenage mother whose reminiscences reveal that female suffering isendemic. If you've ever heard of a beauty mark being labeled a birthmark, that's not exactly fake news. 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. Our editors will review what youve submitted and determine whether to revise the article. A year later she married Rupert Leon, a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. This was the inspiration for the three-season (39 episodes) Yorkshire Television series Justice, which aired from 1971 to 1974. [49], She then appeared in a thriller, Cast a Dark Shadow (1955) with Dirk Bogarde for director Lewis Gilbert. Lockwood called it "one of the films I have enjoyed most in all my career. In addition to her role in a wide variety of films, she was a vibrant brunette with a beauty spot on her left cheek. For British Lion she was in The Case of Gabriel Perry (1935), then was in Honours Easy (1935) with Greta Nissen and Man of the Moment (1935) with Douglas Fairbanks Jnr. The Wicked Lady is a 1945 British costume drama film directed by Leslie Arliss and starring Margaret Lockwood in the title role as a nobleman's wife who becomes a highwayman for the excitement. [43], Eventually her contract with Rank ended and she played Eliza Doolittle in George Bernard Shaw's Pygmalion at the Edinburgh Festival of 1951. Margaret Lockwood. I used to love her films. However she was soon to suffer what has been called "a cold streak of poor films which few other stars have endured. "Since 1945 I had been sick of it there had been little or no improvement to me in the films I was being offered. That year, she was created CBE, but her appearance at her investiture at Buckingham Palace accompanied by her three grandchildren was her last public appearance. This is partially dictated by Hollywood's elite. That's not to say all faux beauty marks went out of style. Yet, even she considered having surgery to get rid of it. Cinema Personalities, pic: circa 1949, British actress Margaret Lockwood, a leading lady one of the cinema's most popular villianesses of the 1940's British actress Margaret Lockwood plays outdoors with her 5-year-old daughter Julia, who later followed her mother into show business. Margaret Lockwood lived at 34 Upper Park Rd, Kingston upon Thames KT2 5LD between 1960 and 1990. Whereas the vulnerability and sentimentalism exuded by Calvert and the hard-edged sexuality or selfishness of the Roc persona were discrete qualities, Lockwood demonstrated a capacity to range through conflicting emotions, especially in Gainsborough films, which explored and exploited womens needs anddesires. Racked explained how women first started applying mouse fur yes, mouse fur to their pockmarks. As if that weren't cringe-worthy and problematic enough, the use of makeup was reserved for "prostitutes and actresses.". Then, in 1972, she married the actor Ernest Clark, best known as the irascible Geoffrey Loftus in Doctor in the House and its TV sequels, and her fellow star in the Ray Cooney farce The Mating Game (Apollo theatre, 1972). Lockwood had the biggest success of her career to-date with the title role in The Wicked Lady (1945), opposite Mason and Michael Rennie for director Arliss. The Leons separated soon after her birth and were divorced in 1950. The title of The Lady Vanishes is thought to refer to the kidnapped British spy Miss Froy (May Whitty), but it is the prim lady in Lockwoods Iris Henderson that vanishes under the influence ofMichael Redgraves charming musicologist with his battery of phallic symbols. As both parents were rarely around at that point, Julia spent the war years with her grandmother and a nanny. "I was terribly distressed when I read the press notices of the film", wrote Lockwood. The amount of cleavage exposed by Lockwoods Restoration gowns caused consternation to the film censors, and apprehension was in the air before the premiere, attended by Queen Mary, who astounded everyone by thoroughly enjoying it. Some of Lockwood's scenes had to be re-shot for American audiences not accustomed to seeing dcolletages. In December of the following year, she appeared at the Scala Theatre in the pantomime The Babes in the Wood. She enjoyed a steady flow of work in films and on television but gained her greatest fulfilment in the theatre. "[22], In September 1943 Variety estimated her salary at being US$24,000 per picture (equivalent to $305,000 in 2021).[23]. As you now know, the 18th century was thetime for magnificent moles. Samuel Pepys, who originally prohibited his wife from wearing one, had a change of heart. The turning point in her career came in 1943, when she was cast opposite James Mason in "The Man in Grey", as an amoral schemer who steals the husband of her best friend, played by Phyllis Calvert, and then ruthlessly murders her. I like having familiar faces that recognize me. British Parliament wasn't a fan of this tomfoolery, though. From the books you read to the clothes you wear, there are plenty of ways to make a political statement. This is the ITV DVD Region 2 DVD release of the Margaret Lockwood films - The Wicked Lady from 1945 and Bank Holiday from 1938. . As such, the shape, color, and even texture can vary. "It was the cutest stinking mole, and I was sold," she admitted. Quiet Wedding (1941) was a comedy directed by Anthony Asquith. PETA would be none too pleased if women were still applying mouse fur to their faces in an effort to mimic a mole. She refused to return to Hollywood to make Forever Amber, and unwisely turned down the film of Terence Rattigans The Browning Version. In 1980, she made her final professional appearance as Queen Alexandra in Royce Rytons theatrical play Motherdear.. Gaumont extended her contract from three to six years. 17th-century beauty Barbara Worth starts her career of crime by stealing her best friend's bridegroom. Enter your account data and we will send you a link to reset your password. She had the lead in a TV series The Royalty (19571958) and appeared regularly on TV anthology series. Lockwood was born on 15 September 1916 in Karachi, British India, to Henry Francis Lockwood, an English administrator of a railway company, and his third wife, Scottish-born Margaret Eveline Waugh. Vascular birthmarks, on the other hand, are formed when "extra blood vessels clump together." These films have not worn particularly well, but. What a time to have been alive. Lockwood, born to a Scottish woman and her English railway clerk husband in Karachi on 15 September, was the most glamorous and dynamic of the female stars. Aged four, Julia made her screen debut playing her daughter in Hungry Hill (released in 1947), based on Daphne du Mauriers novel about a feud between two Irish families. She was reunited with her mother on TV in The Royalty (1957-58), as mother and daughter Mollie and Carol running a posh London hotel, and its 1965 sequel, The Flying Swan. You can play him as a fey creature or right down to earth. She complained to the head of her studio, J. Arthur Rank, that she was "sick of sinning", but paradoxically, as her roles grew nicer, her popularity declined. Due to the success of the film, Margaret spent some time in Hollywood but was given poor material and soon returned home. Lockwood gained custody of her daughter, but not before Mrs Lockwood had sided with her son-in-law to allege that Margaret was "an unfit mother.". Instead, she played the role of Jenny Sunley, the self-centred, frivolous wife of Michael Redgrave's character in The Stars Look Down for Carol Reed. The turning point in her career came in 1943, when she was cast opposite James Mason in The Man in Grey, as an amoral schemer who steals the husband of her best friend, played by Phyllis Calvert, and then ruthlessly murders her. She was known for her stunning looks, artistry and versatility. That was natural. "I would get teased by the other kids in school, so I definitely wanted to get it removed," the supermodel told Vogue. She complained to the head of her studio, J. Arthur Rank, that she was sick of sinning, but paradoxically, as her roles grew nicer, her popularity declined. If you have a real beauty mark, however, you should be aware of what the SkinCancer Foundation calls the "ABCDE" signs of melanoma, the deadliest form of skin cancer. Lorem ipsum dolor sit amet. Ive never been able to figure out what would i write about myself. It was nerve wracking to have to find that now that I live in Fullerton. While a real mole's shape is fixed, a mouche could be designed in a variety of styles. This inspired the Yorkshire Television series Justice, which ran for three seasons (39 episodes) from 1971 to 1974, and featured her real-life partner, John Stone, as fictional boyfriend Dr Ian Moody. In 1933, she enrolled at the Royal Academy of Dramatic Art, where she was seen in Leontine Sagan's production of "Hannele" by a leading London agent, Herbert de Leon, who at once signed her as a client and arranged a screen test which impressed the director, Basil Dean, into giving her the second lead in his film, "Lorna Doone" when Dorothy Hyson fell ill. [citation needed], She was the subject on an episode of This Is Your Life in December 1963. Cindy Crawford and other big names with facial moles. Here's the unadulterated truth. She was in a BBC adaptation of Christie's Spider's Web (1955), Janet Green's Murder Mistaken (1956), Dodie Smith's Call It a Day (1956) and Arnold Bennett's The Great Adventure (1958). Possibly up to halfof all melanomas start as benign moles. The third actress daughter of the Raj - following Merle Oberon and Vivien Leigh - she was born on 15th September, 1916. Margaret scored another hit with Bedelia (1946), as a demented serial poisoner, and then played a Gypsy girl accused of murder in the Technicolor romp Jassy (1947).As her popularity waned in the 1950s she returned to occasional performances on the West End stage and appeared on television, making her greatest impact as a dedicated barrister in the ITV series Justice (1971), which ran from 1971 to 1974. "All beauty marks are moles,"Neal Schultz, a New York City-based cosmetic and medical dermatologist and host of DermTV, explained. Moles, Mongolian spots, and cafe-au-lait spots are all considered types of pigmented birthmarks. This last blow, coupled with the sudden death of her trusted agent, Herbert de Leon, and the onset of a viral ear infection, caused her to turn her back gradually on a glittering career. She had the lead in Someday (1935), a quota quickie directed by Michael Powell and in Jury's Evidence (1936), directed by Ralph Ince. [citation needed] She was a guest on the BBC radio show Desert Island Discs on 25 April 1951.[53].