I also keep 0000 steel wool, for oil based glaze, or nylon abrasive pads, for waterbased glaze, as a tool for highlighting, adding grain patterns and removing glaze in a more controlled manner than you can do with rags. A few older houses may have walls painted with calcimine or casein paint. This type of paint is water soluble, and it does not form a strong bond on the wall. Scrunch up plastic wrap and dab the wet glaze to create a marbled effect. Work from the ceiling to the floor. Both work nicely for stone or marble. It’s worth spending a little extra time and care over prepping your walls before you paint, as you’ll get a much better finish. Use new plastic wrap as the old wrap becomes saturated with glaze. Mineral spirits are often used in the world of woodworking. If you're painting over a wall with a paint that is close to the previous color, then in general, you don't need to prime existing paint. Let the primer dry according to the manufacturer's directions. The simplest is antique white, which uses the same techniques, but with raw umber or burnt umber colored glaze over white paint. One of my favorite stone finishes, and far and away one of the easiest, is lapis lazuli. For that reason, there are times when mixing custom glazes makes a lot of sense. Fast glazes give you less time to blend and manipulate the color. Don’t take breaks until you finish one entire wall. Mix a fairly thick, very dark cobalt blue glaze. The material itself, called glaze, looks rather similar to stain, and in some cases stains can be used as glazes. This is one of those situations where mixing the glaze is even more important than the technique. Be sure to get plenty of glaze in any corners or cracks in the wood. Thin the glaze mixture with water, if necessary, until it’s the consistency of warm pancake syrup. Since stores will mix paint in every color of the rainbow, you can easily make up the glaze of your dreams. If you can see the original paint color through the primer, you want to use a second coat of primer. They are all compatible with one another, and all thin with the same solvents. You will need to use a primer in this case. Apply glaze to a section of the wall no wider than 2 feet, using a paint roller or large paint pad. Roll on a texture, using a textured roller or a twisted rag. And then, working in a limited amount of time, before the glaze dries, to make an imprint of your work in the glaze. Whitewash is simply white paint mixed with clear liquid glaze for a see-through milky finish. Whitewash a too-bright wall with glaze so that the color shows through but doesn't blind you. The glaze must be thick enough to take the pattern and not flow back into a solid color as it dries. Wallpaper applied over this paint will eventually peel off. HDB 5 Room- CCK Street 51 by Dezign Culture. The same trick works with a piece of newspaper instead of plastic wrap, yet yields an entirely different background pattern. Mix a fairly thick, very dark cobalt blue glaze. Say "goodbye" to boring walls. Your basic strategy will be to apply glaze, wipe some off, then blend and move it. Start with the surface painted light blue and completely smooth. If you’re feeling more adventurous, consider mixing glaze from scratch. Along with premixed glazes you’ll find glaze base, such as Zinsser Blend and Glaze™. So, what you're doing is you're apply your glaze to your surface, whether it is your walls or your ceiling. Brush the first layer of finish on using a paint roller. If you are using a roller be careful not to over saturate the nap and to go back over the wall with the roller to lay off the paint. Use vertical, horizontal or diagonal brush strokes to cover the base coat. Paint the glaze generously over the wood. Add some mineral spirits or naphtha to thin the colorant to working consistency, about the thickness of heavy cream. Use a fluid motion, rotating the sponge as you press it to the wall. I was able to find pre-mixed waterbased glazes at most of the major home improvement stores, but there were very few colors available. Starting with a smooth surface with no obstructions will help the project proceed much more efficiently. Allow this second coat … A primer will be applied in the same manner as paint. Once you have the hang of it, try a few other colors and techniques to create even more dramatic finishes. Between the adhesive and siding, it will slide easily if adjustments are necessary. Repeat the technique, overlapping the rolls to prevent noticeable lap marks. Oil-based paint will not adhere to your existing latex paint layer, so you need to create a middleman, of sorts. Apply a stippled finish by tapping a stipple brush over the wet glaze coat. Apply a sample mix to a small section of the wall to gauge the effect as it dries. That is because glaze is applied not to raw wood, but rather atop one or more coats of finish, which prevents the wood from absorbing any of it. Add a small amount of boiled linseed oil if you need to extend the working time or add lubricity. Dab or roll the glaze onto the wall on top of the original paint color. Add clear latex glaze, following the recommendations on the glaze container, which may vary by manufacturer. You don't have to worry about applying to thickly (unless this causes it to drip or run) — you'll be removing most of it soon anyway. Pull a dry brush over the glaze coat for a dragged effect. Vary the dabbing effect by using rags instead of plastic wrap. Rolling, dabbing and especially stippling is messy business. Blend and Glaze™ necessary, until it ’ s tape with attached roll-out plastic sheeting scrunch up wrap! 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